This retold tale of Sabrina, who grew up above the carriage house of her chauffeur father’s wealthy employers, isn’t slapdash like the original (1950s) version, which made me uncomfortable and confused. Upon coming-of-age abroad, Sabrina returns as a fully grown– not to mention sophisticated– woman. The two brothers slated to inherit their father’s company, who still attend lavish parties at the old estate, have differing attitudes toward her maturity. Stodgy, responsible Linus tries to shield Sabrina from playboy, David, on whom she had a childhood crush. The fantasy her father hoped would fade is further thwarted by Linus’ plan to woo her as a distraction. But how long can a workaholic loner remain unaffected by such a smart, vibrant and beautiful woman?
The cool thing about Film is its ability to explore what should’ve/ would’ve/ could’ve been… two parallel stories– one more preferable than the other– each play out toward the same end. Was the outcome inevitable despite the circumstances?
If you don’t own a copy, you’ve either forgotten about this movie or have never seen it. This is arguably each lead’s most famous role of their career. And for good reason: when an disparate team of jewel theives vie for their loot, Deception is the rule of law in what amounts to The Bermuda Triangle of relationships. Love and lust notwithstanding, greed and revenge bring out a range of emotions– and even slapstick– in those subjected to the whims of manipulative Wanda, a woman so dynamic, a beloved pet is named after her.
When the speakeasy that employs many musicians gets busted, many performers find themselves job hunting. Moreover, when they witness the St. Valentine’s Day Massacre, two friends in particular find themselves on the run from the mob. As revenge for their playboy antics, their connection at the employment agency pairs them with an all-female band. At least it’s headed out of state! With no choice but to make the most of the opportunity, the duo must pass themselves off as women. But can they keep their cool while surrounded by pretty girls?
You never realize just how formulaic the movies you typically watch truly are until you see something completely unique, such as this one. Considering how eager studios are to remake everything, I’m surprised this wasn’t of interest to anyone. It’s probably just as well; they would likely turn it into a slapstick comedy. I’m sure […]
At the time of this movie’s release, zombie-mania didn’t seem—at least to me—to have any chance of longevity. Sure, it’s a great premise for an occasional horror film but giving everything in sight a zombie makeover (or would that be a makeunder?) is an odd fad. I honestly didn’t realize until the movie was well underway that it’s based on Shakespeare’s “Romeo and Juliet”. Adaptations are notoriously tricky to pull off but this one managed to be theatrical while avoiding parody. Moreover, the mostly undead state of the main character circumvented overused teen romance tropes (e.g. racial inequality or socio-economic disproportion), which allowed the focus to remain on the premise of an unlikely pairing.
Writer, comedian and actor, Steve Martin adapted literary classic “Cyrano de Bergerac” into a feature film. With equal parts humor, drama and romance—in nearly every hue—the brainy and beautiful, Roxanne falls for one half of two different firemen: the airheaded but handsome, Chris who speaks through the poetry of big-nosed romantic, C. D. who coaches him through each encounter in order to win Roxanne’s heart. First things get tricky then downright messy as the charade wears thin.