When the speakeasy that employs many musicians gets busted, many performers find themselves job hunting. Moreover, when they witness the St. Valentine’s Day Massacre, two friends in particular find themselves on the run from the mob. As revenge for their playboy antics, their connection at the employment agency pairs them with an all-female band. At least it’s headed out of state! With no choice but to make the most of the opportunity, the duo must pass themselves off as women. But can they keep their cool while surrounded by pretty girls?
How does a foreign man suddenly end up a U.S. citizen, welcomed into the family of a long- missing child? While it’s impossible to fully understand the grief of those keeping vigil by the window, waiting for a phone call that may never come, it is curious that every expert agrees there are many loose ends. Is it merely that hindsight is 20/20 (as the old saying goes) or is there a more sinister explanation? Though the testimony of an identity thief certainly isn’t everything, it seems to corroborate the suspicion of at least one specialist…
Masterfully crafted, the details of this publicly documented incident are recounted chronologically by a rotation of several family members, some government employees, a smattering of friends/ neighbors and one relentless private investigator. During the lengthier portions of each person’s story, voiceover serves as narration for actors’ portrayals of the events being described. By the end of the film you have about as much information as everyone involved to decide for yourself what you think happened.
Why are 15 days worth of records missing from annals of the Joseon Dynasty? Though we’ll never know for sure, it’s fair to surmise that since the king was kind but cautious (some would say paranoid), it’s not impossible that arrangements were made in anticipation of a potential emergency. Like the switcheroo in American movie, […]
It’s a beautiful thing to watch someone in their element, i.e. the shared enjoyment—even between strangers—of someone’s creativity channeled into a well-crafted project. The most complex humor seems effortless, which it may be in that moment, but is resultant of much practice. If a plot is strong enough to withstand a few deviations from its script, an actor with true improv ability will elevate the believability of his character by using natural true-to-life spontaneity to generate chemistry with his costars. This quick-on-their-feet cast collectively sets the essential stage that allows its lead to shine in this hilarious case of mistaken identity.
So much talent, so little time. One of the numerous highlights of this movie is its timing. Unlike many modern comedies, the actors serve the story, rather than use it to showcase their immature antics, which are only funny when given an equally outrageous context. In this setting, two con artists attempt to outwit each other but both end up getting played. Who gets the last laugh when real-life masters of comedy use their impersonation skills as their characters execute a plot to dupe a wealthy heiress out of her fortune?
It’s as if Hitchcock went to Paris. He didn’t but a script full of twists and turns brought to life by two of the most elegant lead actors ever to grace the screen, supported by high-quality talent is bound to yield mystery, action, suspense, humor and romance. What’s not to like?
Writer, comedian and actor, Steve Martin adapted literary classic “Cyrano de Bergerac” into a feature film. With equal parts humor, drama and romance—in nearly every hue—the brainy and beautiful, Roxanne falls for one half of two different firemen: the airheaded but handsome, Chris who speaks through the poetry of big-nosed romantic, C. D. who coaches him through each encounter in order to win Roxanne’s heart. First things get tricky then downright messy as the charade wears thin.