Bad Times at The Royale (2018)

Murder and mayhem are in store for deep characters based on historic figures devoid of characature, set in rich tones inspired by a real locale, steeped in the iconic style of Vintage era without a hint of kitsch, in which music is fully integrated into intricately layered secrets anchored by immaculate cinematography.

Baby Driver (2017)

The very thing this gem has going for it is also its downfall, at least as far as marketing is concerned: its genre is unclassifiable. The closest comparison would be a musical, the likes of which have only been attempted during a few seconds of a TV ad. The score is the soundtrack is the playlist to which the main character listens throughout the movie. But rather than singing, choreography is the main draw. In fact, it’s practically a main character.

Everything from windshield wiper blades swiping to car doors slamming to gunshots firing is perfectly synched to the rhythm of the music. Be ready to immerse yourself in the story of a silent getaway driver the moment it starts (e.g. the lyrics of the opening song are visually incorporated into the scenery as graffiti, product labels, print ads, etc.). The style of this film is certainly clever but excellent acting coupled with the unique premise of unlikely partners in crime is what makes it thoroughly engaging.