A literary classic got a makeover and the result is immensely satisfying: love, jealousy, greed, betrayal, imprisonment, survival, escape, fencing, disguise, revenge… its classic elements have been dusted off, polished up and freshly painted. All without frivolous embellishments.
I’m so glad the author of the autobiographical comic– the basis of this movie– was involved in making this version of her story. An Iranian expat, who came- of- age during the Islamic Revolution/ reign of the Shah describes her historical experiences– personal, cultural and political– in black and white. The bold stylistic choice serves […]
Despite the French title being a book around which one of the main stories is centered, all the meta occurs outside the film; American critics have absolutely no idea what it’s about, which is precisely the plot! The snarkiness that runs throughout is the symptom of a larger problem. It’s easy to give advice about a particular situation but why not follow it yourself? Likely because you hear—yes, someone is talking, blah, blah, blah—but you don’t take the time to listen to what is—or isn’t—being said. I find it ironic that some people describe the script as “too wordy.” Everyone’s talking but never really saying what they mean or how they feel. Moreover, no one is paying any attention to what’s not being said: the eye roll, the shoulder slump, the sigh, the deliberate nudge given to a supposed stranger. Yet they all desperately want to be heard. Don’t we all? In an era of information overload, the best way to know someone is to see them—not merely look at them through a media lens; to watch them in their element. Try it. You’ll be surprised. The characters certainly were.
Multiple accomplished filmmakers and actors lend their talents to a compilation of shorts that each pay tribute to a different section of Paris. You needn’t be familiar with the historic City of Love to enjoy the performances in each well-crafted story. Spanning a variety of styles and genres, this clever project (the original of its kind) depicts a diverse and complex city in way that feels timeless.
For once a cooking movie that’s not solely about an underdog (either a chef or a restaurant) pitted against some big bad meanies! When an Indian family moves to France after a series of misfortunes and are pleasantly surprised to learn about property for sale that includes an abandoned restaurant, they open a family-style diner that serves all their favorites from home. Salt-of-the Earth, Papa is a thorn in the side of food snob, Madame Mallory when he opens right across the street from her Michelin-starred fine dining establishment. The two couldn’t be more opposite; they also couldn’t be more passionate about food. Thoughtful consideration about pride in one’s craftsmanship and how food is more than just physically nourishing.
This cartoon is unusual because, while it has the capability to exaggerate what/ whenever it wants, it’s not particularly fantastical. In typical comic fashion, the story is told through music that complements gestures and facial expressions rather than dialogue but not to accommodate talking animals or people bouncing around like a rubber balls. All the elements of design that would enhance any other kind of film are expertly utilized in this charming tour de force about a competitive French cyclist, who gets kidnapped and taken to New York City. His grandmother, who raised him sets out in search with her trusty dog in tow. The pair is taken in by an eccentric old trio of jazz musicians, who’ve been performing together since Vaudeville. The minimalist—and at times slightly abstract—style is a stark contrast to modern computer rendering but serves as the perfect medium for this story’s setting.