Though touted as a “feminist thriller,” more impressive than the casting of all female leads is the originality of the story. To truly thrill, there must be an original premise and genuine plot twists. Nothing kills suspense faster than predictability; fortunately, this movie does not disappoint.
How does a foreign man suddenly end up a U.S. citizen, welcomed into the family of a long- missing child? While it’s impossible to fully understand the grief of those keeping vigil by the window, waiting for a phone call that may never come, it is curious that every expert agrees there are many loose ends. Is it merely that hindsight is 20/20 (as the old saying goes) or is there a more sinister explanation? Though the testimony of an identity thief certainly isn’t everything, it seems to corroborate the suspicion of at least one specialist…
Masterfully crafted, the details of this publicly documented incident are recounted chronologically by a rotation of several family members, some government employees, a smattering of friends/ neighbors and one relentless private investigator. During the lengthier portions of each person’s story, voiceover serves as narration for actors’ portrayals of the events being described. By the end of the film you have about as much information as everyone involved to decide for yourself what you think happened.
One thing’s for certain: this is not a pseudo travel ad like the Rom-Coms Hollywood churns out. Upon its release, the trailer– in America at least– set this up as a heart-stopping thriller that appeared to border on Horror. However, it turned out to be a stoically thoughtful depiction of circumstances inspired by a rash […]
This cartoon is unusual because, while it has the capability to exaggerate what/ whenever it wants, it’s not particularly fantastical. In typical comic fashion, the story is told through music that complements gestures and facial expressions rather than dialogue but not to accommodate talking animals or people bouncing around like a rubber balls. All the elements of design that would enhance any other kind of film are expertly utilized in this charming tour de force about a competitive French cyclist, who gets kidnapped and taken to New York City. His grandmother, who raised him sets out in search with her trusty dog in tow. The pair is taken in by an eccentric old trio of jazz musicians, who’ve been performing together since Vaudeville. The minimalist—and at times slightly abstract—style is a stark contrast to modern computer rendering but serves as the perfect medium for this story’s setting.