The Little Stranger (2018)

A fast- fading mansion with seemingly temperamental qualities is as much a character as the moody people that pass through its rooms. Both lend a consistently brooding tone without resorting to typical genre tropes (e.g. explanatory soliloquies or intrusive graphic flashbacks). The few instances of blood are preceded by obvious horror to the characters, who see it before the audience; the lack of shock value in such a familiar element serves to heighten the film’s uneasy tone. Periodic disclosure of important details keeps the story engaging, despite being enigmatic, and by the end manages to deliver a satisfying revelation.

Mortal Engines (2018)

How to describe such a unique fantastical premise…

Entire societies are mobile; each hierarchical city functions within its own feat of engineering (think interlocking collapsable compartments). These giant robotic apparatuses roam the globe vying for power, forcibly assimilating anyone who gets in their way. The plucky young heroes could’ve been in The Maze Runner!

Until now, such an imaginative book series couldn’t have been adapted for the screen. Fortunately, The Peter Jackson specializes in bringing fictional worlds to life via intricately detailed sets and props enhanced by state-of-the-art computer animation.

The Foreigner (2017)

The depth of the story drew me in and made me want to follow the main character further. Too bad this wasn’t a TV pilot! To cast a movie that could so easily have been yet another formulaic action flick was no small feat; actors we’ve seem before were wisely utilized for their specialty while being given enough room to break out of their characatures. Moreover, their experience and professionalism allowed the seamless fusion of cultures to tell a story that’s a genuinely fresh perspective on the balance between Justice and Revenge.

Libel (1959)

Rather than a lack of subtle clues and foreshadowing due to a meandering script, this story slowly unfolds just as it does for its subject: a former soldier, who may or may not be the man as whom he’s been living. When his identity is called into question, both he and his wife begin to wonder if the trauma he experienced during the war that affected his memory made it easier for him to inherit the life meant for someone else or if his personality genuinely changed. The evidence will reveal the truth and unlock the key to the nightmares and flashbacks that relentlessly haunt him.

Bad Times at The Royale (2018)

Murder and mayhem are in store for deep characters based on historic figures devoid of characature, set in rich tones inspired by a real locale, steeped in the iconic style of Vintage era without a hint of kitsch, in which music is fully integrated into intricately layered secrets anchored by immaculate cinematography.

I Think We’re Alone Now (2018)

To pidgeon- hole this as a post- apocalyptic story would be too crass for such a nuanced satire that intimately explores the Human Experience; few films capture such a raw and visceral perspective.¬†One of its co-leads compared this to Harold and Maude, which is apt given its subtle dark humor. However, the isolation the characters […]

The Imposter (2012)

How does a foreign man suddenly end up a U.S. citizen, welcomed into the family of a long- missing child? While it’s impossible to fully understand the grief of those keeping vigil by the window, waiting for a phone call that may never come, it is curious that every expert agrees there are many loose ends. Is it merely that hindsight is 20/20 (as the old saying goes) or is there a more sinister explanation? Though the testimony of an identity thief certainly isn’t everything, it seems to corroborate the suspicion of at least one specialist…

Masterfully crafted, the details of this publicly documented incident are recounted chronologically by a rotation of several family members, some government employees, a smattering of friends/ neighbors and one relentless private investigator. During the lengthier portions of each person’s story, voiceover serves as narration for actors’ portrayals of the events being described. By the end of the film you have about as much information as everyone involved to decide for yourself what you think happened.

Spy (2015)

Though there are both stunts and humor galore, this is no James Bond spoof; comedic actors were actually taught fighting techniques to do most of their own stunts and action stars ad libbed many of the best lines. The result stands on its own two feet (and is perhaps overqualified) as a contender in its […]

Searching (2018)

Stories about missing persons are nothing new. Neither is utilizing a smartphone to make a movie anymore. But shooting an entire film through every kind of lens but a movie camera– and sometimes exclusively screens of websites, texts and social networking apps– is definitely a first! But make no mistake: this unique approach is by […]

Pure Luck (1991)

Could there be anyone with worse luck than otherwise ordinary accountant, Eugene? Actually, yes: the daughter of a wealthy businessman, Valerie who recently went missing. With a chemistry that embodies cinematic fixture, the buddy comedy, detective, Raymond is unfortunately paired with the hapless klutz. Together they endure a series of mishaps, each more wacky than […]