Being famous has its perks but at some point the novelty wears off. Still, it’s best to give the people what they want. After all, without fans you’re nobody, which is exactly the position in which three near-broke actors find themselves. Real-life legends are perfectly cast as they bring their natural chemistry and impeccable comedic timing to the roles of former legends of the silver screen, who misunderstood a plea for help from a fan in rural Mexico, who believes they’re the iconic heroes they play in the movies. Desperate for a gig, The Three Amigos arrive in character to a Western-style showdown to face a violent bully, who’s been threatening to take over the tiny village.
Yes, an unlikely competitor defies the odds by overcoming a significant injury. However, when it comes to Sonador, his main backer is a child. Though Cale Crane grew up around horses, racing is actually in her blood; the ranch on which she grew up may be empty but it hasn’t seen its last horse, yet. Training a potential champion becomes a family affair, which garners more than luck and money.
Contributions from professional talent spanning 5 continents produced a stunning work of art in tribute to the legacy of an Australian who moved his family to India to tend to lepers there. Every effort was made to maintain authenticity, including casting real-life sufferers for a scene shot at an original setting. Regardless of your religious affiliation, this is a genuinely compelling story about humanity, forgiveness, truth, faith, hope and ultimately love filmed with breathtaking cinematography.
When a plot is a character study rather than a tale with a definitive moral, trivia will overshadow all other aspects. In this case, the fun facts (e.g. Meryl Streep learned to play the guitar and does her own singing alongside career musician, Rick Springfield and her real- life daughter plays the part onscreen) enhance the realism that keeps it from being overly simplistic. Any humor lies in relatable and/or ironic elements, which can only be disappointing when compared to a formulaic Dramedy, in which everyone learns their lesson far too easily.
The prickly maverick we’re used to seeing in so many iconic Westerns is anything but stoic in his role as a cantankerous old man, whose family receives none of the tenderness reserved for his prized flowers. In fact, the horticultural circle where he’s found his niche brings out a charming side few others get to see. As it turns out, he’s also good at minding his own business and staying under the radar. His newfound value to a Mexican drug cartel provides a whole new source of pride, especially since it provides the means to buy his family’s admiration.
This film is a sincere sentiment about the true meaning of love in an unflinching glimpse into the world of drug running; disparate worlds are two sides of the same coin as they struggle to understand loyalty and affection.
(I feel it’s worth mentioning the bedroom scene at the mansion party, though not necessarily gratuitous, can be skipped to avoid the disparate element of nudity as it does nothing to advance the plot.)
How to describe such a unique fantastical premise…
Entire societies are mobile; each hierarchical city functions within its own feat of engineering (think interlocking collapsable compartments). These giant robotic apparatuses roam the globe vying for power, forcibly assimilating anyone who gets in their way. The plucky young heroes could’ve been in The Maze Runner!
Until now, such an imaginative book series couldn’t have been adapted for the screen. Fortunately, The Peter Jackson specializes in bringing fictional worlds to life via intricately detailed sets and props enhanced by state-of-the-art computer animation.
There are few angles of American foster care left to explore so this movie explores them all simultaneously. Each situation is unique and the entire system itself is complex; even a counselor might be trying to leave her own dark past behind.
There are new arrivals and seasoned veterans, new staff members and old pros, procedures to be followed and rules to be broken but ultimately, the reason it exists is because Human beings aren’t always valued. Yet whatever its flaws, there will never be a truly perfect system so long as it needs to exist in the first place.
What makes this movie impressive is its skillful handling of such a delicate subject; the bittersweet story is in more than capable hands, which lend their skills to retain the humanity of the types of people each character represents, especially those we rarely– if ever– see depicted outside of a stereotype. It’s a relief to think we’ve moved past the naive rich White saviors of the 1990s into sympathy for the plight of the mistreated, rather than pity for the tragically pathetic.
In writing, as in life, less is more. Correspondingly, a simple story allowed to stand on its own, free to breathe (i.e. without overt biases and/or contrived themes imposed upon it), will naturally generate “The Conversation” so many artists eagerly crave these days.
Personally, I heard it say, “If you spend half as much time devoted to the task at hand as you do trying to get out of it, you’ll be fulfilled by both the process and the result. In the end, making a quick buck is complicated and expensive!”
But as viewers found with Doubt, everyone will walk away from the movie insisting it was about something else.
To pidgeon- hole this as a post- apocalyptic story would be too crass for such a nuanced satire that intimately explores the Human Experience; few films capture such a raw and visceral perspective. One of its co-leads compared this to Harold and Maude, which is apt given its subtle dark humor. However, the isolation the characters […]
The conversation about low income struggles that other movies started continues. I commend doing so with respect for the dignity of the Human Beings involved, especially children born into poverty and raised by drug- addicted parents. What this movie has that most of its kind lack is empathy as opposed to pity. There are no […]