Contributions from professional talent spanning 5 continents produced a stunning work of art in tribute to the legacy of an Australian who moved his family to India to tend to lepers there. Every effort was made to maintain authenticity, including casting real-life sufferers for a scene shot at an original setting. Regardless of your religious affiliation, this is a genuinely compelling story about humanity, forgiveness, truth, faith, hope and ultimately love filmed with breathtaking cinematography.
If you like action, buckle up. Two NYC cops, who also happen to be former foster brothers, are thick as thieves despite incessant bickering about the one’s gambling addiction. All bets are off when they both fall for their beautiful new coworker, a fellow undercover sting agent who knows exactly which brother she wants. Sparks fly as a tangle with the transit authority ups the ante in a turf war for control of the subway. The arrogant director doesn’t care who lives or dies so long as he makes his money– an irresistible temptation to a chronic gambler…
The prickly maverick we’re used to seeing in so many iconic Westerns is anything but stoic in his role as a cantankerous old man, whose family receives none of the tenderness reserved for his prized flowers. In fact, the horticultural circle where he’s found his niche brings out a charming side few others get to see. As it turns out, he’s also good at minding his own business and staying under the radar. His newfound value to a Mexican drug cartel provides a whole new source of pride, especially since it provides the means to buy his family’s admiration.
This film is a sincere sentiment about the true meaning of love in an unflinching glimpse into the world of drug running; disparate worlds are two sides of the same coin as they struggle to understand loyalty and affection.
(I feel it’s worth mentioning the bedroom scene at the mansion party, though not necessarily gratuitous, can be skipped to avoid the disparate element of nudity as it does nothing to advance the plot.)
What’s a struggling salesman to do when his new car– the key to improving slumping sales– gets stolen? All the charisma in the world won’t help John Cummings retrieve it from the chop-shop if the police are more focused on catching the crooked garage owner than finding an individual vehicle. Cummings wants to provide for his family but as his obsession with retreiving his stolen property grows, taking matters into his own hands jeopardizes more than his own safety.
Sometimes you just want to be entertained but that doesn’t mean you have to settle for meathead jocks lumbering across the screen. Given the cast, there’s obviously a mixture of action and comedy but developed characters and a creative premise elevate a potentially flat collaboration to an engaging adventure, in which a bounty hunter tracks a mobster’s son through the jungle. When the wily kid on a treasure hunt and the nonviolent gun-for-hire who wants out of the business get mixed up with the leader of a revolt against an exploitive quarry operator, survival becomes the new agenda.
The depth of the story drew me in and made me want to follow the main character further. Too bad this wasn’t a TV pilot! To cast a movie that could so easily have been yet another formulaic action flick was no small feat; actors we’ve seem before were wisely utilized for their specialty while being given enough room to break out of their characatures. Moreover, their experience and professionalism allowed the seamless fusion of cultures to tell a story that’s a genuinely fresh perspective on the balance between Justice and Revenge.
If you don’t own a copy, you’ve either forgotten about this movie or have never seen it. This is arguably each lead’s most famous role of their career. And for good reason: when an disparate team of jewel theives vie for their loot, Deception is the rule of law in what amounts to The Bermuda Triangle of relationships. Love and lust notwithstanding, greed and revenge bring out a range of emotions– and even slapstick– in those subjected to the whims of manipulative Wanda, a woman so dynamic, a beloved pet is named after her.
In writing, as in life, less is more. Correspondingly, a simple story allowed to stand on its own, free to breathe (i.e. without overt biases and/or contrived themes imposed upon it), will naturally generate “The Conversation” so many artists eagerly crave these days.
Personally, I heard it say, “If you spend half as much time devoted to the task at hand as you do trying to get out of it, you’ll be fulfilled by both the process and the result. In the end, making a quick buck is complicated and expensive!”
But as viewers found with Doubt, everyone will walk away from the movie insisting it was about something else.
Murder and mayhem are in store for deep characters based on historic figures devoid of characature, set in rich tones inspired by a real locale, steeped in the iconic style of Vintage era without a hint of kitsch, in which music is fully integrated into intricately layered secrets anchored by immaculate cinematography.
When the speakeasy that employs many musicians gets busted, many performers find themselves job hunting. Moreover, when they witness the St. Valentine’s Day Massacre, two friends in particular find themselves on the run from the mob. As revenge for their playboy antics, their connection at the employment agency pairs them with an all-female band. At least it’s headed out of state! With no choice but to make the most of the opportunity, the duo must pass themselves off as women. But can they keep their cool while surrounded by pretty girls?