A modern adaptation of the Victorian classic, “Silas Marner?” Yup. Staring comedian, Steve Martin? Yup, again. But how? As with Roxanne, Martin restrains his silly nature and captures the heart of the story, which– as far as warm-and-fuzzy goes– has just as many big names as any current Hallmark movie but with cinematic flair.
This “whodunnit” may be not the most notable to mystery fans but none other than Clint Eastwood directs an impressive ensemble while staring as an FBI profiler who’s recovering from a heart transplant and finds out the identity of his donor may lead to an elusive serial killer. In classic Eastwood style, an ordinary cop drama forgoes excessive violence/ gore and calmly stays focused on the cat-and-mouse game afoot.
This moxie-driven story is far more than a “live-action” version of a famous fairytale. Any fable (or adaptation thereof) will be somewhat far-fetched but this version actually has some meat on its bones. Superb casting brings a well-written script to life. The icing on the cake is its stunning costumes. If you must, think of it as the female counterpart to The Count of Monte Cristo.
Cameos are fun; even more so when they’re by historic figures, who shaped the world’s Art and Culture. The City of Lights shines brightly in this whimsical tale of a screenwriter, who’s struggling to find inspiration for his first novel. He mysteriously finds himself transported back to the 1920s at midnight throughout the duration of his vacation with his fiance, who doesn’t share his nostalgia. Though heavily romanticized, there’s great fun to be had in recognizing the various icons along with the main character, who’s just as surprised by who he runs into along the way.
With as much suspense as you can stand, a young woman learning to cope with her recent blindness is terrorized by henchmen of a crazed killer desperate to find smuggled heroin that was given to her husband at the airport. The very limitation that makes her vulnerable provides an unmatched skill she’ll need to survive after letting the thugs into her home, believing they’re old friends of her husband’s.
This retold tale of Sabrina, who grew up above the carriage house of her chauffeur father’s wealthy employers, isn’t slapdash like the original (1950s) version, which made me uncomfortable and confused. Upon coming-of-age abroad, Sabrina returns as a fully grown– not to mention sophisticated– woman. The two brothers slated to inherit their father’s company, who still attend lavish parties at the old estate, have differing attitudes toward her maturity. Stodgy, responsible Linus tries to shield Sabrina from playboy, David, on whom she had a childhood crush. The fantasy her father hoped would fade is further thwarted by Linus’ plan to woo her as a distraction. But how long can a workaholic loner remain unaffected by such a smart, vibrant and beautiful woman?
I love movies about movies, anyway. But this one is far from farce; it’s realistic almost to the point of being painful as it manages to capture both the spirit and technical process of independent filmmaking. Should I mention the allstar top-notch cast? The meta cherry atop an already delicious sundae.
In homage to every beloved Sci-fi TV series, the washed-up cast of an old show is mistaken for their on-screen personas by space aliens, who need their help. As in Three Amigos, they don’t realize what they’re getting themselves into; the faux crew are forced to spoof themselves to save both Humankind and the alien race from an evil warlord. The only catch is there’s no script or reshoots this time around.
That it was originally made by a greeting card company shouldn’t dissuade you from giving this a chance. Before Hallmark (or anyone else, for that matter) had an entire channel, they made dramas that aired on network TV. In this clever story, a boy finds himself alone on a bus, which arrives at a small town depot. Unaware of how frightened he is, everyone assumes the boy is deaf and mute (except, perhaps, the local rum runner). He plays the part out of convenience and grows up privy to all the town’s secrets. Instances of prejudice against his supposed handicap notwithstanding, he enjoys being the keeper of information… until circumstances require eyewitness testimony to catch a con artist who’s been scamming the town.
Campy was never so astute as when former losers, Heather Mooney– still a dour loner– and Romy & Michele– two ditzy optimists, who are still BFFs– form the perfect yin and yang to face an intimidating 10 year reunion. Through facing their bullies, shedding their insecurities and appreciating their true selves (not to mention a little help from Sandy “The Frink-a-zoid” Frink), friendship blossoms.