Spettacolo (2017)

If there can be autobiographies, why not autodrama? Every year a rural Italian town writes and performs a play; what began as a means of recording history evolved into social commentary. It was never satire merely for laughs but what happens when meanings and motivations change? The irony is in the meta.

The purpose tradition serves is as varied as opinions about it. While it can preserve culture and thus unify a community, the very same can seem burdensome. There’s no easy answer to whether you should stick it out to protect history from being lost to modernity or embrace the future, which threatens/ promises to assimilate everything you’ve always known.

Since documentary filmmaking is mostly decisions about what to include, editing will spin a situation in a certain direction. Not that the tourists who visit the annual production don’t interpret things from their own perspective but surely for people to tell you about themselves in their own words goes beyond mere ritual…

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