This cartoon is unusual because, while it has the capability to exaggerate what/ whenever it wants, it’s not particularly fantastical. In typical comic fashion, the story is told through music that complements gestures and facial expressions rather than dialogue but not to accommodate talking animals or people bouncing around like a rubber balls. All the elements of design that would enhance any other kind of film are expertly utilized in this charming tour de force about a competitive French cyclist, who gets kidnapped and taken to New York City. His grandmother, who raised him sets out in search with her trusty dog in tow. The pair is taken in by an eccentric old trio of jazz musicians, who’ve been performing together since Vaudeville. The minimalist—and at times slightly abstract—style is a stark contrast to modern computer rendering but serves as the perfect medium for this story’s setting.