See No Evil, Hear No Evil (1989)

Who else could play a deaf man, who witnessed a murder and a blind man, who heard it, other than two incomparable funnymen: the sensitive Gene Wilder and the bold Richard Pryor? It helps that—prior to Wilder turning down his role in the farce—each lead went to a special school—Wilder for the deaf and Pryor blind, respectively—in order to portray these challenges with accuracy. The script was then rewritten for them and their genuine chemistry is what breathes life into the slapstick.

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