Baby Driver (2017)

The very thing this gem has going for it is also its downfall, at least as far as marketing is concerned: its genre is unclassifiable. The closest comparison would be a musical, the likes of which have only been attempted during a few seconds of a TV ad. The score is the soundtrack is the playlist to which the main character listens throughout the movie. But rather than singing, choreography is the main draw. In fact, it’s practically a main character.

Everything from windshield wiper blades swiping to car doors slamming to gunshots firing is perfectly synched to the rhythm of the music. Be ready to immerse yourself in the story of a silent getaway driver the moment it starts (e.g. the lyrics of the opening song are visually incorporated into the scenery as graffiti, product labels, print ads, etc.). The style of this film is certainly clever but excellent acting coupled with the unique premise of unlikely partners in crime is what makes it thoroughly engaging.

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